Posts Tagged ‘Goan Society

25
Apr
09

The Flight of Gods 15. Mahalakshmi Temple, Bandodem

 

The Flight of Gods
by Mohan PaiShri Mahalakshmi Temple

Bandodem


Shri Mahalaxmi temple is situated at Bandode 4 kms east of Ponda town. This is an ancient temple. The Southern Silaharas and the Kadambas of Goa were the worshippers of the deity.
Silver filigree work – entrance to garbhagriha – photo by Mohan Pai

This is an ancient temple and a stone inscriptionof the year 1413 AD at the Nagueshi templementions the donations made to the temple ofShri Mahalaxmi by one Main Shenoy duringthe Vijayanagar period.
The Mantap – photo by Mohan Pai

There was another temple of Shri Mahalaxmiat Kolva (Salcete) but it was destroyed by the Portugese in the 16th century and the idol was shifted to the already existing temple at Bandode.The Temple – photo by Mohan Pai

Shri Mahalaxm is believed to be an incarnation of Adishakti and is worshipped by Gaud Sarswats who belong to the Shakti cult.
The special feature of the deity is that she wears Lingam, a symbol of Shiva on her head. The Sabha Mantap has a series of 24 carved and brightly painted wooden panels that show scenes from the Bhagwat Purana.

Deepasthamba – photo by Mohan Pai

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15
Apr
09

The Flight of Gods 6. – The Temple Scene

 

The Flight of Gods
by Mohan Pai

 
 
The Hindu temples of Goa have always been rich repositories of Goa’s ancient heritage and living centres of social and communal life. These temples are in a way unique in that they have serene, quite and peaceful atmosphere that is so essential in spiritual places.
 
The institutions which revolutionised the social life of Goa were the Comunidades (Gramasansthas) and the temples. Both these institutions were established by the first Aryan settlers in their respective villages. The temple committees known as “Mazanias” looked after the religious and educational needs of the community and the Comunidades looked after agriculture, horticulture, building of public roads, sanitation and general needs of the community. Every original resident of the village known as Gaunkar was a member of the Comunidade which built the temples and contributed towards the maintenance of the temples. However, the Mahajans of a temple were restricted to certain families belonging to particular gotras.

The Temple Scene

 

Palkhi at Ganesha Temple, Kandole – Photo by Mohan Pai

 

These community organisations lent its temples the most exalted place and spared no effort in enriching and embellishing the social and cultural life of the community which revolved around the temples.
The temples were the main centres of education, entertainment and religious and social gatherings. Therein sang and danced the Devadasis in the service of the deity. Dramas were staged and the traditional festivals of Shigmo, Kalo, Zagor, Novem, Zatra etc. all of them celebrated with profusion of colours, gaiety and full of excitement to the rhythm of drum beats and trumpets. Dramas were staged depicting scenes from Ramayana, Mahabharata and Puranas. It is believed that Yakshagana of South Canara originated in the temples of Goa.

 

Sri Shantadurga Temple, Kavale – Photo by Mohan Pai

 

In almost all villages the main temple was founded by the Gramsamstha, as its Gaunkars were also the Mahajans of the temple. A part of the land in the village was usually reserved for the maintenance of the temple. The possession of these lands lay with the temple committee and the recurring expenses of the temple were met from the income derived from these lands.

Temples functioned simultaneously, as places of worship and teaching institutions. It was in the temples that the members of the community learnt the three Rs and Shastras. They were places of prayer and meditation where collective decisions were taken, offences were judged, medicine was practised and all these activities were seemingly carried out with the blessings of the patron deity.

 

Goa, for the first time faced the fury of the marauding Mohammedan invaders beginning with the attack of Malik Kafur in 1314 AD. They looted and destroyed the Hindu temples en masse. Again in 1472 AD Mohamad Gowan of the Bahmani Sultanate attacked and plundered Goa. Govapuri was completely destroyed with its palaces and temples.

 

But the fanatic fury of the Portugese proselytization during the 16th century saw total destruction of the Hindu temples in the Old conquests of Ilhas (Tiswadi, Bardez and Salcete. All the Hindu temples were razed to the ground. Not a single temple was allowed to stand in the Portugese territories. According to the records, there were 116 temples in Ilhas, 176 in Bardez and 264 in Salcete.

 

The idols from the temples were hidden in the fields and the wells to avoid desecration and then spirited across the rivers that bordered Portugese territory and initially housed in modest structures like thatched huts.

 

Sri Narcimha Temple, Veling – Photo by Mohan Pai

 

All the villages in the “Old Conquest” had become Catholic. The Hindus remained only in the townships. There was an exodus of the Hindus. Thousands of Hindu families fled from the horrors to the areas outside the Portugese control to the northern Konkan and to the southern coast and settled down all along the coast in the towns of Karwar, Gokarna, Kumta, Honavar, Bhatkal, Kasargod, Calicut and Cochin.

 

At the end of the seventeenth century it is estimated that out of a total population of two hundred fifty thousand only twenty thousand were non-Christians. These included a large number of traders and visitors who were in Goa for temporary stays.Gaud Saraswat Brahmins and Shets who stayed behind earned profits through their collaboration with the Portugese and these profits were used by the Hindus for the reconstruction of the temples of the migrant deities outside the reach of the missionaries, in Ponda in particular. The Portugese discovered that the Christian Goa was encircled in an arc by the resurrected Hindu temples towards which they had indirectly contributed which rankled the missionaries to no end.

 

Palkhi at Veling – Photo by Mohan Pai

 

SANGOD

 

Sangod is an annual event celebrated at most of the emigre temples where the deities had been saved by shifting the idols to safer lacales across the river during the Portugese spree of the destruction of the Hindu temples. It is an event which commemorates the saving of the idols by smuggling them across the river transported on logs of wood fastened together or on canoes tied up together which is known as ‘Sangod’. The idols were generally smuggled in the dead of the night at a great personal risk by the devotees that included both the Mahajans as well as Kharvis and other people who came forward for the rescue. As a syncretic adoption, even Christians today celebrate the ‘Sangod’ with festivities in honour of St. John and St. Peter.

 

‘Sangod’ at Veling Temple – Photo by Mohan Pai

 

Today there are literally thousands of temples and roadside and other shrines in Goa which shows a high density for a small region like Goa. The temples fall in three main categories: 1. Kuladevata Temples 2. Temples of specific community 3. New temples without history. Kuladevata temples are generally associated with certain families and Gotras with the Mahajans belonging to these families and Gotras presiding over the affairs of the temples. Community temples are temples of specific community and the temple affairs managed by the community Mallikarjuna temple at Gaondongrem in Cancona for example is a temple of Velip and Gowda communities with their own priests.

 

Bhajan Mandali – Photo by Mohan Pai

 

The temple records give very little, for the oldest temples located in the New Conquests by flight at the end of the 16th century, were built in the 17th century or later to their present dimensions – and built in direct, if not very well understood copy of the Baroque Christian churches of the city of Old Goa (though the general style of Goa churches is that of Borromini’s Jesuit construction). This is understandable, as the Old Goa churches were the most imposing buildings, with Hindu workmen trained in that type of construction. When the emigre temples acquired funds enough for their rebuildings these same workmen built the new temples. What is surprising is that the replication seems to have been acceptable to the local Brahmins.

 

The ‘other side of the river’ – Ponda

 

It was the Rajas of Sonda to whom the Hindus of Goa had turned when their temples in Goa had been destroyed, and who much to the annoyance of the Portugese, had openly encouraged Hindus to rebuild their temples in their domain of Ponda and elsewhere.

There are no Hindu temples in the Old conquests older than the 19th century. Even in the New conquests, few of the structures themselves were built before the 17th century. So most of the ‘old’ temples we see in Goa date from the 17th century at the earliest and majority from the 18th century.

 

 

Kuladevatas of Saraswats

 

The Saraswats have for centuries persistently preserved their traditions, facilitated largely by the community temples and maths (monasteries) which have proved to be the medium for social interaction. Kuladevata is the deity of a family or Gotra. Every Saraswat’s family god is actually a mandal of five gods with the Kuladevata in the centre. The form of worship is known as ‘Panchayatan’ and is attributed to Shankaracharya.The five gods of Panchayatan are 1. Aditya 2. Ambika 3. Vishnu 4. Gananatha 5. Mahesvata. It prevails in Sringeri and Kavale Maths but is absent in Vaishnava Maths at Kashi and Gokarn-Parthagali maths.
The main Kuladevatas are as follows:
0 Mangesh 0 Mahalakshmi 0 Mhalasa 0 Shanta Durga 0 Sapta Koteshwara
0 Nagesh 0 Ramnath 0 Kamakshi 0 Lakshmi Naracinva
Most of them are emigre deities which were shifted from the Old Conquests to the territories of Sonda kingdom in Antruz Mahal during the Portugese spree of destruction of the Hindu temples.

 

Thousand of Hindu families fled Goa because of the severe religious persecution to other parts of India; many of them having settled in the Kanara district, Kerala and Maharashtra. Although the descendants of the founder members of these temples in Goa are spread far and wide, they still make up the general body of the Mahajans of their respective ‘Kuladevata’ temples.

 

PRASADA – Consultation of the Oracle

An ancient practice of ‘Prasada’ or consultation of the oracle, continues to be strictly observed in Goa to this date. Prasada, which here means the giving of a blessing or guidance by the deity to an appeal by a devotee. There is no religiously oriented Hindu in Goa, who can take any important decision without consulting the oracle. People of all walks of life go to ask the deity’s advice and guidance on many matters – marriage proposals, business matters, troubled relationships, job offers and so on. The ritual is normally performed after paying obeisance to the deity. Thereafter, leaves of special plants or petals of flowers are stuck to small spikes on the side of a figurine of the particular deity. The devotee then poses a question or makes a wish.The priest interprets the decision of the deity on the basis of what happens to the leaves or petals stuck on the spikes and the order of their fall. Decisions of the deity are scrpulously adhered to and respected. It is not only the Hindus who go for ‘prasada’ of a deity before embarking upon anything important, but also Christians.

 

POSSESSION

‘Possession’ is another part of the temple tradition. During the festivities likde Shigmo or Dhalo dance some devotees go into a trance. In another type of possession called ‘Bhar’ the possessed vocalises messages from deities or spirits.

 

DEVDASIS

Devdasi system, an ancient practice of the temples of the South, also prevailed in Goa till very recently and is now banned. Epigraphs of the Kadambas of Goa and inscriptions of the Southern Silaharas indicate that the Devdasis were not treated as menial servants but they were treated with respect as talented artists with freedom of sex. There were Kalavants in the well known temples of Goa like Mahalasa, Mangesh, Shantadrga, etc. There were two types of dancing girls associated with temples. The first type were called Kalavants and they used to be well versed in vocal music and the second type were called Bhavins. They were expected to sweep the premises of the temple and also perform such duties as carrying the essence burner.
The initiation ceremony called shens was held for the teenage girls of Kalavantas. After the shens ceremony the girl was permitted to be the mistress of only one man either a rich landlord or the temple priest. The devdasis who were supposed to be the servants of God generally became the servants of the priests and the Mahajans.

 

Mismanagement of temple funds & properties

During the eighteenth and the nineteenth century, the situation had improved with many of the immigrant families returning to the Old Conquests and commerce reestablished itself. Donations for the temples poured in and the temples became very rich. But all these donations and properties stood in the name of certain individuals, some of whom did not hesitate to utilise these funds for their personal gains.In order to check the malpractices the Portugese Government brought in the Edict in 1828 and again in 1881 and 1886 with stricter controls brought in through “Regulamento das Mazanias” and again revised in 1933, 1949 and 1951. “Regulamento” is the general law applicable to all temples. These regulation helped a great deal in putting an end to the misuse of the temple funds.
Some of the descendants of devdasis are today amongst the most renowned musicians, singers and dancers. Some have taken to politics and others have branched out to different trades and professions.

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14
Apr
09

The Flight of Gods 2. The Portugese Episode


The Flight of Gods
THE PORTUGESE EPISODE

 

“Almas e especiaria” (We come to seek Christians and Spices) said Vasco da Gama, who landed at Kappad beach near Calicut in 1498 after rounding the Cape of Good Hope, the first to negotiate the sea route from Europe to India. Following his epic voyage, the Portugese built bases at Anjediva Island near Goa and at Cannanore.
Portugal was the first European country to establish its colonial presence in India and the last to leave its shores. They were ruthless conquerors and proselytism was their main aim. They came “Cujus regio, illius religio” – Sword in one hand and the Cross in the other – a policy of fanatical evangelisation especially after the introduction of the “rigour of mercy” (rigor de misericordia) in 1541.
Memorial to Vasco da Gama at Kappad Beach, Kerala – Pic by Mohan Pai
Afonso Albuquerque succeeded in capturing the island of Ilhas (Tiswadi) with 20 ships and 1200 men after two attempts a bitter fight with the forces of Adil Shah. His main collaborators were Timaji, the Vijayanagar Admiral and Mhall Pai Vernekar, the Sardesai of Verna. It was at the invitation of Goan Hindus that Afonso Albuquerque decided to attack Goa. The Hindus were considerably disturbed by the activities of the Navayats who were brought by Adil Shah to Goa from Honavar and Bhatkal and who indulged in frequent acts of harrassment against the local Hindus. The militarygovernors under the Mohamedans, themselves local men, called the Desais were hated for their autocratic behaviour, which wen as far as forcing their formal equals to work as menials in the household, and treating the communal land as feudal if not private property. Afonso Albuquerque, during this attack put to death over 6,000 Muslims without showing any mercy..By 1543, the Portugese had annexed from the Bijapuris the adjoining lands of Bardez in the north and Salcete in the south. These three territories of the Ilhas (Tiswadi), Bardez and Salcete were designated as the “Old Conquests”.
Blue-tiled murals which line the entrance hall of the Menezes BraganzaInstitute. It’s a uniquely Portugese art form ‘azulezos’ which depictscenes from the great poem by Luis de Camos, ‘The Lusiads’ whichtells the story of the adventure of the Portugese Empire in the east.
It was not until 1764 that the ruler of Sonda threatened by the invasion of Hyder Ali, sought an asylum with the Portugese and placed his territories of Ponda, Sanguem, Ouepem and Canacona in the custody of the Portugese. Between 1781 and 1788 the Portugese succeededin negotiating and acquiring the northern areas of Pernem, Bicholim and Sattari from Bhonsales of Sawantwadi. Thus by 1788 the present boundaries of Goa were in place under the Portugese.
The proselytising of the local Hindus began in real earnest with the appointment of Miguel Vaz Coutinho as the Vicar-General of Goa in1941 who is credited withthe launching of concentrated and oppressive attacks on the local Hindus. Their temples destroyed, lands confiscated and their revenues and the material of the destroyed temples made available for the construction of churches and other ‘pious’ works. Again the decree of 1559 sanctioned the emolition of Hindu temples and idols, prohibited making of such images, banned the celebration of Hindu feasts, prohibited cremation of the Hindu dead and exiled Hindu priests.In 1560, ‘celebrating’ fifty years of Portugese occupation, the horrors of the Inquisition were inflicted on Goa. Described as “the Terrible Tribunal for the East”, the inquisition brought in its wake a fresh wave of religious persecution for the Hindus who were forced to convert or be damned to a life of harassment or emigration and as a result rapid and extensive conversions were achieved. Many were converted by fear of physical force, others from moral cowardice and quite a few to avoid loss of their property. This caused a general emigration of higher caste Hindus, and the tradition was that one brother of an extensive joint family would stay behind to be converted with his wife and children, for the sake of the land, while the rest fled.
This led to a breakup of what would have been the final type of patriarchal family. But the subsidiary effect was curious, in that henceforth Goa had “Brahmin Christians” and Christians of lower castes, the caste mechanism having been transferred in its essence to a casteless religion. Between 1541 and 1568 all the existing Hindu temples in the Ilhas, Bardez and Salcete were completely destroyed by the Portugese and according to the record there were 116 temples in the Ilhas, 176 in Bardez and 264 in Salcete. The Arch of the Viceroys, which once was the main gateway to the city was built by Vasco da Gama’s great-grandson. On taking office, all Viceroys made their processional entrance with great ceremony through this archway where they were presented with the keys of the city.

The Arch of the Viceroys , Old Goa – Pic by Mohan Pai

By the end of the sixteenth century all the villages in the “old Conquest” had become Catholic. The Hindus remained only in the townships. There was an exodus of the Hindus. Thousands of families fled from the horrors to the areas outside the Portugese control to the northern Konkan and to the southern coast and settled down all along the coast in the towns of Karwar, Gokarna, Kumta, Honavar, Bhatkal, Kasargod, Calicut and Cochin.
At the end of the seventeenth century it is estimated that out of a total population of two hundred fifty thousand in the Old Conquests, only twenty thousand were non-Christians. These included a large number of traders and visitors who were in Goa for temporary stays.
The Portugese would have continued this fanatical evangelism movement relentlessly till the total extermination of the non-Christians was achieved but for the rapid collapse of Portugal’s eastern commercial empire with its inevitable effect on Goa which faced moral and economic decadence and the initial religious zealotory of the missionaries considerably abated especially when Marquis de Pombal, the liberal Prime Minister came to power there was definite change in the policy towards the Hindus and he even banished the Jesuits. A number of Hindu families who had fled the old conquests returned during this period. But, by the 19th century, both the ruling country and the colony had become archaic survivors.
“GOA DOURADA”
Buddhism came to Goa in 2nd century BC and the reference to Goa in the Buddhist documents is made as ‘Suvarnabhumi’ and ‘Sunaparanta’ meaning the ‘Land of Gold. The Portugese did not create the “Golden Goa”. On the contrary it was the prosperity, opulence and fabulous wealth of an already legendary “Golden Goa” that drew them to possess it. Goa was already a fabled realm around which “ Tales from the Arabian Nights” were woven. When the Portugese came, the city and port had shifted to the north, to the banks of the Mandovi. But by all accounts, it was by then even more important and splendidly prosperous. Goa had remained a major entrepot for centuries – under the Kadambas, under Vijayanagar and under the Bahamanis. Ships still sailed from Sumatra (even China), Aden and Hormuz. Overland caravans brought the fabled riches of the central and south India from Devgiri (Daulatabad) and Vijayanagar(Hampi) to be traded for horses and muskets.
With the Portugese came mal-administration, rampant corruption, religious bigotry and brutal persecution. The public treasury was depleted and consuming public epidemics and perhaps more than anything else, the forced conversions and the black practices of the Goa Inquisition hastened the end of prosperity and the “Golden Goa”.
During the seventeenth century the religious fervour was at its peak showing no signs of flagging, in the face of degeneration in other aspects of Goan life. It was a ‘museum’ of 16th century imperialism, more plentifully supplied with churches than trade and with monks than soldiers. With progressive deterioration in civil administration, the ‘monks’ assumed considerable importance and influence, and the conversion process continued with frentic vigour. A great surge of ecclesiastical building had followed the arrival of the religious orders after 1540 and religious fervor backed by the accumulated wealth of Goa’s commercial heyday, now carried this architectural exuberance throughout the period of economic and political disarray on even a grander scale than before. This was the time when the great churches of Goa were completed and the city itself continued to present a brave social front, flaunting ostentation and luxury in defiance of economic circumstances.

Se Cathedral, Old Goa – Pic by Mohan Pai

The Se Cathedral is one of the largest in Asia and took nearly 90 years for completion after the church was ordered to be built by the King of Portugal in 1562. This was the seat of the Roman Catholic Church in Asia inthe 16th and 17th centuries. It was built in the Renaissance style with some traces of Portugese Gothic. The famous “Golden Bell”, the largest bell in Goa is housed here.
The ‘gold’ of Goa Dourada refers not only to the sixteenth century glitter of churches and the prosperity of city of Goa but to its being European – the ‘Rome of the East’ possessing distinctly Lusitanian flavour. But the real Goa was ‘Goa Indica’, an essentially the eastern looking mode of cultural expression that sought religious, cultural and economic affiliation to the mainstream India.
Goa continued to languish under the Portugese colonial rule as a decadent province with a ruined economy and they did little besides maintaining order. Economic development was minimal, educational opportunities were lacking for the majority of people and political liberties lagged far behind those in the British territories across the border. These conditions turned Goa into a land from which its people migrated and went into exile and sought work and higher education in Bangalore, Belgaum, Calcutta, Karachi and above all, Bombay. Many Goans moved out of India to British colonies in East Africa and onto passenger ships as stewards, cooks and crew.
Portugal became a Republic in 1910 which liberated the Hindus of Goa from centuries of discrimination and repression. Immediately they flooded into schools, formed associations, started journals and libraries and took active role in public life as teachers, members of government councils and administrative officials. But by the year 1926 Salazar regime was established and this imposed fresh restrictions.
After World War II, Portugal tried to hold on to the fragments of her Indian empire By belatedly encouraging industries like mining and by turning Goa into a duty-free port.
The Portugese colonies of Goa, Daman and Diu were finally liberated from the decadent colonialism by Indian armed forces on December 19, 1961. The Portugese had clung to these pockets for 451 years.
In the year 1851 the Christian population of Goa amounted to 64.5%, mostlyThe converted masses from the Old Conquests. By the year 1910 the Christian and the Hindu population were almost equal (50% each). In 2003 Hindus areIn majority (66%) followed by the Christians (26%) and Muslims (7%).
The major Hindu groups are represented by the Brahmin communities (Gaud Saraswats, Karhade, Padhye, Battaprabhu, etc.), Shets (Goldsmiths), Vaishyas(Vanis), Ksahtriyas, Guravs and a large population of the original Pre-Dravidian and Dravidian settlers represented by Gauddes, Kulawadis, Kharvis, Kulambis(Kunbis), Velips, Dhangars, Gavlis. Mhars, etc. who were absorbed into Hinduism.
These tribes made Goa a place of rich and Vibrant culture as represented by ‘Gaunkaris’, their folk dances and songs like the Gaudde Jagor, Kunbi Naach, Dhalo, Gudulyan geet, Perni Jagor and their folk deities – Vetal and Santer cults which are the original cults of Gauddes and Kunbis.
by Mohan Pai



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